2024, Volume 21, Issue 3
Armen Yeghishevich Petrosyan ST MESROP MASHTOTS: ORIGINS OF IMAGE AND NAME
For citation Received on 18 January 2024 Abstract: The article examines the emergence and development of the image of St Mesrop Mashtots, creator of the Armenian alphabet, in the church tradition and folklore of Armenia, where his work was considered a divine miracle. The correspondence of his image with the erazac‘oyc‘ erazahan “dreamdisplaying (and) dream-interpreting” god Tir, the scribe of the supreme god Aramazd, is revealed. The juxtaposition of Christian images with ancient deities was, first of all, based on the correspondence of their functions, and there were circumstances that strengthened this idea. Thus, Mashtots served at the royal court as a scribe-secretary (as Tir was the scribe of the king of the gods); the miraculous vision of Mashtots, in which he saw a right hand writing Armenian letters on a stone, is obviously comparable to a dream. The dreams for the Armenians of the 5th century, who were not yet completely cut off from the pagan religion, had to be sent by the dream-displaying god Tir. The god passed the torch to his successor Christian saint. In light of this interpretation, it seems most likely that the name Mashtots is connected with the consonant appellative maštoc‘ ‘scraper, instrument for scraping off hair/fur of animals’ (from the root mašt- ‘scrape, rip off ’ suffixed with -oc’). In ancient languages, the writing is associated with scraping/scratching in connection with this method of writing on wax, clay and hard materials (cf. Gr. γράφω ‘scrape, write,’ γραμματεύς ‘scribe, secretary,’ Lat. scribere ‘scrape, write,’ scriba ‘scribe, secretary’). The word maštoc‘ in ancient times would mean ‘instrument for scraping/scratching/writing,’ and later, ‘scribe,’ which became the epithet of Mesrop, the heir of the scribe god. 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